This started out unusually — I did the pen-and-ink sketch directly, without any pencil drawing, or even any real plan. Watercolour sketch of houses in Waterside, New Brunswick, from reference photos I took in August, 2016. On 9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) hard-bound sketchbook. I later did another of the same view.
Filed under watercolour:
Stephen Scott is painting from inside the Subaru, above my sketchbook in this photo. Pencil, Carbon fountain pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory sketchbook.
From a series of reference photos I took in 2015. Pencil, Carbon fountain pen, Pigma Micron brush pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory paper. Blocked-in in pencil.
Watercolour on 5 × 7″ Langton watercolour pad of the CNR bridge over the Tantramar River on the edge of Sackville. Made for Sweetest Little Thing 2016. Private collection.
This little watercolour — on Arches 140-lb. cold pressed paper, about 4 × 3″ — was made for The Sweetest Little Thing, 2015. The house itself is unoccupied and in considerably worse shape than depicted. In a private collection.
This painting was made from a collage of black-and-white photos (and a couple for colour reference) I’d taken in the winter of 1992–93 on the Nova Scotia side of the border, between Fort Lawrence and Ahmerst. About 16 × 6 ½″ on 300 gsm Arches Cold Press watercolour paper.