30-minute watercolour sketch with a thumbnail colour study below it.This is a piece depicting the NB Trail in Middle Sackville, New Brunswick, from a photo I took in the summer…
Digital painting of van and apartments in Sackville, New Brunswick.[/caption]Digital painting of an apartment building in my neighbourhood at night, from a reference photo I took this summer. Somehow a…
Finished watercolour painting on 10 × 25 cm Arches 300 gsm cold-pressed watercolour paper. 2 colours: Winsor & Newton’s Payne’s Grey and Sepia.Île de la Valière/Tonge’s Island, Cumberland County, Nova…
Quick & dirty watercolour sketch of the ruins of Moncton’s Sunny Brae Arena. This is on unbelievably light-weight paper in a throw-away sketchbook. From a photo I took a couple…
Watercolour sketch of houses in Waterside, New Brunswick, from a photo I took in August. On 9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) hard-bound sketchbook. The Stillman & Birn Alpha…
Pencil, Lamy Vista fountain pen with black ink, and watercolour in a 5 ¾ × 8 ¾″ Stillman & Birn Gamma sketchbook. From a reference photo I took in March,…
Winsor & Newton’s French Ultramarine (PB29) next to a swatch of Daniel Smith’s Ultramarine (PB29). The sketch of the parking lot behind Struts Gallery has had a wash of the…
This started out unusually — I did the pen-and-ink sketch directly, without any pencil drawing, or even any real plan. Watercolour sketch of houses in Waterside, New Brunswick, from reference…
Stephen Scott is painting from inside the Subaru, above my sketchbook in this photo. Pencil, Carbon fountain pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory sketchbook. In…
From a series of reference photos I took in 2015. Pencil, Carbon fountain pen, Pigma Micron brush pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory paper. Blocked-in…
Watercolour on 5 × 7″ Langton watercolour pad of the CNR bridge over the Tantramar River on the edge of Sackville. Made for Sweetest Little Thing 2016. Private collection.
This painting was made from a collage of black-and-white photos (and a couple for colour reference) I’d taken in the winter of 1992–93 on the Nova Scotia side of the…