Drawing of The Bicycle Specialist, Amherst, Nova Scotia. Finished up this sketch with a 2B mechanical pencil. My Mini Cooper Clubman was challenging; cars are hard to get right. 0.9 mm 2B pencil — 5 ¾ × 8 ¾″ Stillman & Birn Gamma (ivory/150 gsm).
Series of shots of this work in progress; pencil, Carbon fountain pen, watercolour, in 8 ¼ × 3 ½″ Global Art Materials trav•e•logue hand•book. Had to include the Kubota tractor. Some pencil studies in a Moleskine drawing pad before starting the watercolour. The tractor is much bigger here than in the painting.
Winsor & Newton’s French Ultramarine (PB29) next to a swatch of Daniel Smith’s Ultramarine (PB29). The sketch of the parking lot behind Struts Gallery has had a wash of the Winsor & Newton French Ultramarine applied. Very little granulation. Earlier versions of this sketch in progress.
Pencil sketch from a photo I took in March, 2015. 5 × 8 ¼″ Moleskine sketch album (120 gsm).
Stephen Scott is painting from inside the Subaru, above my sketchbook in this photo. Pencil, Carbon fountain pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory sketchbook.
From a series of reference photos I took in 2015. Pencil, Carbon fountain pen, Pigma Micron brush pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory paper. Blocked-in in pencil.