9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) paper.
Filed under watercolour:
Pencil, Lamy Vista fountain pen with Borealis Black Noodler’s Ink, and watercolour in a 5 ¾ × 8 ¾″ Stillman & Birn Gamma sketchbook. From a reference photo I took in March, 2015. Before starting the watercolour in my sketchbook, I did a small sketch of the woman who is the subject of the painting — it was her… Read more »
Sketched from reference photos I took on a week-long visit to Montréal in March, 2015. The bright, mustardy yellow insulation exposed between the buildings was very striking, especially in the sunlight. When I got home I discovered that Marc Taro Holmes had sketched buildings across the street from this in his then–recently-released The Urban Sketcher,… Read more »
Series of shots of this work in progress; pencil, Carbon fountain pen, watercolour, in 8 ¼ × 3 ½″ Global Art Materials trav•e•logue hand•book. Had to include the Kubota tractor. Some pencil studies in a Moleskine drawing pad before starting the watercolour. The tractor is much bigger here than in the painting.
A watercolour sketch — pencil begun in situ, completed in studio — of Alex Colville’s home in Sackville, New Brunswick, now preserved as part of the Mount Allison University campus as Colville House. Pencil, Carbon fountain pen, and watercolour in 9 ¼ × 6 ¼″ Stillman & Birn Alpha (150 gsm) white sketchbook.
Winsor & Newton’s French Ultramarine (PB29) next to a swatch of Daniel Smith’s Ultramarine (PB29). The sketch of the parking lot behind Struts Gallery has had a wash of the Winsor & Newton French Ultramarine applied. Very little granulation. Earlier versions of this sketch in progress.