Watercolour sketch of houses in Waterside, New Brunswick, from a photo I took in August. On 9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) hard-bound sketchbook. The Stillman & Birn Alpha sketchbook paper is meant for light washes, but it’s just a bit too light for what I’m doing here and tends to buckle. I’m still… Read more »
Filed under painting:
9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) paper.
Pencil, Lamy Vista fountain pen with Borealis Black Noodler’s Ink, and watercolour in a 5 ¾ × 8 ¾″ Stillman & Birn Gamma sketchbook. From a reference photo I took in March, 2015. Before starting the watercolour in my sketchbook, I did a small sketch of the woman who is the subject of the painting — it was her… Read more »
Winsor & Newton’s French Ultramarine (PB29) next to a swatch of Daniel Smith’s Ultramarine (PB29). The sketch of the parking lot behind Struts Gallery has had a wash of the Winsor & Newton French Ultramarine applied. Very little granulation. Earlier versions of this sketch in progress.
This started out unusually — I did the pen-and-ink sketch directly, without any pencil drawing, or even any real plan. Watercolour sketch of houses in Waterside, New Brunswick, from reference photos I took in August, 2016. On 9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) hard-bound sketchbook. I later did another of the same view.
Stephen Scott is painting from inside the Subaru, above my sketchbook in this photo. Pencil, Carbon fountain pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory sketchbook.