Series of shots of this work in progress; pencil, Carbon fountain pen, watercolour, in 8 ¼ × 3 ½″ Global Art Materials trav•e•logue hand•book. Had to include the Kubota tractor. Some pencil studies in a Moleskine drawing pad before starting the watercolour. The tractor is much bigger here than in the painting.
A watercolour sketch — pencil begun in situ, completed in studio — of Alex Colville’s home in Sackville, New Brunswick, now preserved as part of the Mount Allison University campus as Colville House. Pencil, Carbon fountain pen, and watercolour in 9 ¼ × 6 ¼″ Stillman & Birn Alpha (150 gsm) white sketchbook.
Winsor & Newton’s French Ultramarine (PB29) next to a swatch of Daniel Smith’s Ultramarine (PB29). The sketch of the parking lot behind Struts Gallery has had a wash of the Winsor & Newton French Ultramarine applied. Very little granulation. Earlier versions of this sketch in progress.
This started out unusually — I did the pen-and-ink sketch directly, without any pencil drawing, or even any real plan. Watercolour sketch of houses in Waterside, New Brunswick, from reference photos I took in August, 2016. On 9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) hard-bound sketchbook. I later did another of the same view.
Plein air sketch using pencil, Carbon & Lamy fountain pens (with carbon ink and Noodler’s Ink Borealis Black ink), and Copic markers in a 9 ¼ × 6 ¼″ Stillman & Birn Alpha (150 gsm) white sketchbook. The bridge was built in 1905, and sits unused alongside Route 114 between Riverview and Alma, New Brunswick.
Plein air sketch of the light station (light house) at Cape Enrage (