This painting was made from a collage of black-and-white photos (and a couple for colour reference) I’d taken in the winter of 1992–93 on the Nova Scotia side of the border, between Fort Lawrence and Ahmerst. About 16 × 6 ½″ on 300 gsm Arches Cold Press watercolour paper.
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This March, 1990, sketch was done on location with a blue, felt-tip pen of some sort, on paper that’s clearly full of acid given how much it’s yellowed (probably generic typing or note paper). Probably a Pilot Fineliner. Measures about 6 ½ × 2 ½″.
Professor Nichols was very pleasant, but I’d clearly heard enough about Sigmund Freud that morning.