Winsor & Newton’s French Ultramarine (PB29) next to a swatch of Daniel Smith’s Ultramarine (PB29). The sketch of the parking lot behind Struts Gallery has had a wash of the Winsor & Newton French Ultramarine applied. Very little granulation. Earlier versions of this sketch in progress.
Filed under work-in-progress:
From a series of reference photos I took in 2015. Pencil, Carbon fountain pen, Pigma Micron brush pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory paper. Blocked-in in pencil.
I roughed this sketch in with pencil, then moved to a Carbon fountain pen, and a Pigma Micron brush pen. 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm ivory paper) Cars are challenging. I used this sketch as a guinea-pig for some pigment-testing later.
This little watercolour — on Arches 140-lb. cold pressed paper, about 4 × 3″ — was made for The Sweetest Little Thing, 2015. The house itself is unoccupied and in considerably worse shape than depicted. In a private collection.