Sketch of a brick apartment building on Crescent Avenue, Amherst, Nova Scotia (from reference photos I took today). 2H pencil, Carbon fountain pen, and Copic markers on 5 ¾ × 8 ¾″ Stillman & Birn Gamma (ivory/150 gsm) paper.
Filed under Atlantic Canada:
9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) paper.
A watercolour sketch — pencil begun in situ, completed in studio — of Alex Colville’s home in Sackville, New Brunswick, now preserved as part of the Mount Allison University campus as Colville House. Pencil, Carbon fountain pen, and watercolour in 9 ¼ × 6 ¼″ Stillman & Birn Alpha (150 gsm) white sketchbook.
Winsor & Newton’s French Ultramarine (PB29) next to a swatch of Daniel Smith’s Ultramarine (PB29). The sketch of the parking lot behind Struts Gallery has had a wash of the Winsor & Newton French Ultramarine applied. Very little granulation. Earlier versions of this sketch in progress.
Plein air sketch using pencil, Carbon & Lamy fountain pens (with carbon ink and Noodler’s Ink Borealis Black ink), and Copic markers in a 9 ¼ × 6 ¼″ Stillman & Birn Alpha (150 gsm) white sketchbook. The bridge was built in 1905, and sits unused alongside Route 114 between Riverview and Alma, New Brunswick.
Quick plein air pencil sketch made as the tide was coming in at Slack’s Cove, in Rockport, New Brunswick. 9 ¼ × 6 ¼″ Stillman & Birn Alpha (150 gsm) white sketchbook.