Filed under architecture:

Moving day

Echo patiently waits outside Stephen Scott’s garage on moving day. From a reference photo from November, 2015. Pencil sketch in a 5 × 8 ¼″ Moleskine sketch album (120 gsm).

Struts Gallery/Lorne Street, Sackville

Stephen Scott is painting from inside the Subaru, above my sketchbook in this photo. Pencil, Carbon fountain pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory sketchbook.

Canterbury Street, Saint John

From a series of reference photos I took in 2015. Pencil, Carbon fountain pen, Pigma Micron brush pen, and watercolour in 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm) ivory paper. Blocked-in in pencil.

Parking lot behind Struts Gallery

I roughed this sketch in with pencil, then moved to a Carbon fountain pen, and a Pigma Micron brush pen. 5 ¾ × 8 ¾″ Stillman & Birn Gamma (150 gsm ivory paper) Cars are challenging. I used this sketch as a guinea-pig for some pigment-testing later.

Railway bridge over the Tantramar

Watercolour on 5 × 7″ Langton watercolour pad of the CNR bridge over the Tantramar River on the edge of Sackville. Made for Sweetest Little Thing 2016. Private collection.

Abandoned house between Mount Uniake & Hall’s Hill

This little watercolour — on Arches 140-lb. cold pressed paper, about 4 × 3″ — was made for The Sweetest Little Thing, 2015. The house itself is unoccupied and in considerably worse shape than depicted. In a private collection.