A quick post for FossilFriday during Dinovember. From a reference photo I took at the Tyrell in July, 2016.
- Light 2H pencil under-drawing of the newly-moved lighthouse at Cape Jourimain, N.B.
- 9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) sketchbook.
- From a photo I took in September, 2016.
Not sure if I want to do this as a pen-and-ink sketch or do light watercolour washes. We’ll see how I’m feeling about it once I’ve finished with the pencil.
Watercolour sketch of houses in Waterside, New Brunswick, from a photo I took in August.
On 9 ¼ × 6 ¼″ Stillman & Birn Alpha (white/150 gsm) hard-bound sketchbook.
I did an earlier watercolour sketch of a detail of the same reference photo:
The Stillman & Birn Alpha sketchbook paper is meant for light washes, but it’s just a bit too light for what I’m doing here and tends to buckle. I’m still sorting out how watercolour works, though, and while I should move on to proper blocks (I have loads), I want to get more confident with my handling of watercolour media first.
I’ve been a fan of Roger Waters’ music since Pink Floyd released The Final Cut. His bleeding heart politics have always central to his music, much to the dismay of casual fans who accidentally stumble across his comments and positions in interviews.
His 2010 return of The Wall as a global concert phenomenon seemed almost self-indulgent at the time, but the shows themselves had been updated, with new visuals that underscored messages that were there in the songs all along. Looking back from late 2016, this music from 1979 seems more relevant than ever.
Our knowledge, which we set so much store by, helps us mostly to further our exploitations, to extract from the environment what we value, and to destroy that which, in our present state of ignorance, seems to have no utility.
—Eliot Porter in Maine
The film was an exploration of what it means to be human, to share experiences through story-telling, through what people in the art community call mark-making.
Reaching back as far as 35,000 years, these oldest known cave paintings show that their makers had an intimate knowledge of horses, bison, rhinos, lions, bears, and more, that mocks the facile notion of the artists as primitives. Their lines are as practiced, as stylistic and as skilled as any human can make.
As someone whose personal drawing style tends towards contour drawings, I felt an immediate connection with whoever rendered these magnificent images on rock. It’s impossible to know if they were teaching aids (be successful; be safe), storytelling devices, spiritual touchstones, pure decoration, or the only thing an artist could do to express something inside them that they needed to share in order to feel human. To be human.
I also couldn’t help but wonder what these people would have thought of the technologies we have at our fingertips today; cameras, smartphones, video, communications satellites. We’re not really doing anything fundamentally different with them than they did with these paintings. We congratulate ourselves that our great-great-grandparents would be mystified by iPhones and instant, global communication, but we use them to tell the same stories. Be successful. Be safe. Learn. Share. Marvel. Wonder.
These long-dead artists can’t see us, but we can see them. They’re a little out-of-focus, but they look familiar. They’re not so different, are they?
The show was, in a word, amazing.
As it happens, I was first in line, so I was able to get front-row seats. Having had good luck recording video at Garnet Rogers and U2, I thought I’d give my new iPhone 4S a whirl. Sadly, I missed the first song (stupid, stupid, stupid), but I got the rest of the show in 1080p.
After the show, Kelly and John met Dan, got autographs, and had a chat. I asked Dan if he was okay with me posting these clips to YouTube, and he said you can’t stop it these days. I pointed out that if he didn’t want me to, then I wouldn’t post them. He said he appreciated that, but to go ahead.
So I have. I shot 18 GB of video, and it took almost 48 hours to upload. Hope you enjoy it. If you get the chance to see him live, do not hesitate.
- A review of Dan Mangan’s show a couple of nights later in Halifax
- Follow @danmanganmusic on Twitter
- Buy all of Dan Mangan’s music on iTunes — he’s gotta eat! 🙂
Dan Managan: Sold
Dan Mangan: Oh Fortune
Dan Mangan: Post-war Blues
Dan Mangan: Basket
Dan Mangan: You Silly Git/Road Regrets
Dan Mangan: If I Am Dead/Daffodil/Starts With Them, Ends With Us
Dan Mangan: How Darwinian
Dan Mangan: Some People
Dan Mangan: Rows of Houses/Regarding Death and Dying
Dan Mangan: The Indie Queens Are Waiting
The Crackling: Keep Me Drunk
Dan Mangan: Robots/So Much for Everyone
U2 to play Moncton July 30, 2011, with Arcade Fire opening. Tickets $65, on sale Feb. 8! Haven’t seen them live since September, 1992. Can’t wait.
In honour of their first Maritime performance: